{"id":7,"date":"2020-11-15T17:08:20","date_gmt":"2020-11-15T17:08:20","guid":{"rendered":"https:\/\/oedipa.org\/?page_id=7"},"modified":"2025-09-08T12:01:56","modified_gmt":"2025-09-08T12:01:56","slug":"about","status":"publish","type":"page","link":"https:\/\/oedipa.org\/?page_id=7","title":{"rendered":"About"},"content":{"rendered":"\n<p>Oedipa produces work for live performance across opera, music theatre and installation. Collaborators include composers, musicians and non-professional performers, as well as practitioners from fields such as science, architecture and speech and language therapy. Oedipa exists to experiment with assumptions about who can make live work, and for whom it is made, putting experiment at the heart of projects and processes.<\/p>\n\n\n\n<p>Oedipa is led by artistic director Finn Beames and three trustees, and was previously a Links Partner at the Royal Opera House.<\/p>\n\n\n\n<div style=\"height:200px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" width=\"1024\" height=\"122\" src=\"https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-1024x122.png\" alt=\"\" class=\"wp-image-200\" srcset=\"https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-1024x122.png 1024w, https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-300x36.png 300w, https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-768x91.png 768w, https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-1536x183.png 1536w, https:\/\/oedipa.org\/wp-content\/uploads\/2024\/09\/Long-Lines-Crop-2-2048x244.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oedipa produces work for live performance across opera, music theatre and installation. Collaborators include composers, musicians and non-professional performers, as well as practitioners from fields such as science, architecture and speech and language therapy. Oedipa exists to experiment with assumptions about who can make live work, and for whom it is made, putting experiment at<\/p>\n<p class=\"more-link-wrapper\"><a href=\"https:\/\/oedipa.org\/?page_id=7\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\"> &#8220;About&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/pages\/7"}],"collection":[{"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oedipa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7"}],"version-history":[{"count":7,"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":218,"href":"https:\/\/oedipa.org\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions\/218"}],"wp:attachment":[{"href":"https:\/\/oedipa.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}